Silenus, a deity in Greek mythology

Silenus (also Seilenus, Silenos)

Region/Culture: Ancient Greece
Mythos: Greek Mythology
Primary Type/Nature: Gods and Deities
Mythical Attributes: Possesses prophetic wisdom and hidden knowledge of past, future, and the origins of the world, which surface only when he is captured or thoroughly drunk.
Role in Mythos: Serves as the foster-father, tutor, and lifelong companion of the wine-god Dionysus, and as the eldest and wisest of his satyr followers.
Relation to Humans: Mortals who manage to catch and bind him can compel him to reveal prophecy and grim truths, though the wisdom he gives up is bleak. He is otherwise a harmless, genial presence, more likely to need carrying home than to threaten anyone.

The spring ran clear and cold through the hills of Phrygia, and the old man who drank from it most afternoons had fallen asleep in the grass beside it. He was vast and slack, his belly rising and falling under a tunic that no longer closed, his bald head gone pink in the sun. An empty wine-skin hung from one shoulder. While he slept, someone wound chains of roses around his wrists and ankles, soft as a joke, and he did not wake even then. He woke later, in a palace, looking up at a king who wanted something from him.

Silenus belonged to no single category that the Greeks kept tidy. He was the eldest and wisest of the satyrs, the foster-father of the wine-god Dionysus, and in some tellings a rustic god in his own right, presiding over drunkenness and the slow craft of making wine. He looked the part and then some. He was a fat old man with a snub nose pressed flat into his face, a bald scalp ringed with shaggy white hair, and the pointed ears and swishing tail of a donkey. His paunch had the round, sloshing fullness of the wine-skin he carried everywhere. He was usually too drunk to walk, and so he rode, slumped sideways on the back of a long-suffering ass, propped upright by younger satyrs who walked alongside to catch him.

Where he came from was never settled. Some said he was a son of Pan, the goat-legged god of the wild places. Others made him a child of Hermes, or of a nymph, and a few traced him back further still, to the drops that fell when the sky was wounded at the dawn of the world, so that he sprang from the earth itself like grass or like rivers. The stories disagree on this point and never tried very hard to agree. What they keep constant is his age. Silenus is always old. He arrives in the myths already ancient, already heavy, already carrying the wine-skin.

His great work was Dionysus. When the infant god needed raising, Silenus took him, and the bond never loosened. He taught the boy, guarded him, and travelled at the head of his riotous following for the rest of both their lives. A Dionysian procession moved through the countryside as noise and colour: maenads with ivy in their hair, satyrs leaping, pipes and drums, and somewhere in the middle the old man on his donkey, garlanded, half-conscious, beaming. He had taught the god the secret of the vine, or so several traditions claim, which made him in a sense the source of the whole loud parade. He was its most embarrassing member and its quiet foundation at once.

The most famous thing that ever happened to him began with that spring in Phrygia. King Midas wanted Silenus, because Silenus knew things. The king had the fountain laced with wine, or in another version simply waited for the old man to wander off drunk and lost from the procession, and either way Silenus was found, bound, and brought to the palace. Some accounts make this a capture and some make it hospitality, with Midas feasting the old satyr for days and nights and listening to his tales. The two versions are not as different as they sound. A guest you will not release is still a prisoner, however good the wine.

What Midas got for his trouble was an answer he may not have wanted. Pressed to say what was best for a human being, Silenus told him. The best thing, he said, was never to have been born at all, never to have looked on the light or breathed the air. The second best was to die as soon as possible after birth. He delivered this from the comfort of a banquet couch, fat and warm and full of someone else’s wine, which is part of why the line has never stopped unsettling people. The cheerful drunk had been carrying the bleakest sentence in Greek thought the whole time. It became known as the wisdom of Silenus, and Aristotle thought it worth recording.

He was caught more than once. In a pastoral song that Virgil set down centuries later, two boys named Chromis and Mnasyllus find him asleep, sodden and snoring, and tie him up with his own garlands the way the gardeners once had. They want a song, and the price of his freedom is that he sing. So he sings: the making of the world, the first creatures, the old tales, poured out of him in a flood. This is the pattern wherever Silenus appears. The knowledge is real, and it is enormous, and it will not come out unless he is held still. Sober and free, he is a slurring old reveller. Caught and cornered, he becomes an oracle.

That was his power, such as it was. He could see what others could not, name the past and the future of anyone before him, and reach back to the origins of things. When the wine was deepest in him the sight came clearest, which inverts the usual arrangement between drunkenness and clarity and seems to have been the point. His gift was not separate from his vice. The same heaviness that left him helpless was the heaviness that filled him with prophecy.

His weaknesses were the other face of the same coin. He could barely stand. He fell asleep wherever the wine put him down, in long grass, beside fountains, far from the procession that was supposed to keep track of him, and anyone patient enough to wait could simply collect him. He gave up his secrets only under restraint, which meant his wisdom served other people far more reliably than it ever served him. He knew that the best thing was never to be born. He had been born regardless, a long time ago, and there was nothing in all his knowledge that could do anything about that. So he drank, and rode his donkey, and let the younger satyrs hold him upright, and went on.

Frequently Asked Questions

Who is Silenus in Greek mythology?

Silenus is a figure from Greek mythology, the eldest and wisest of the satyrs and the foster-father and tutor of the wine-god Dionysus. He raised Dionysus from infancy and is sometimes counted as a rustic god of drunkenness and wine-making. Silenus travels at the head of Dionysus’s followers as their oldest and most perpetually drunk member.

What is the “wisdom of Silenus”?

The wisdom of Silenus is his answer to King Midas about what is best for human beings: that the best thing is never to have been born, and the second best is to die as soon as possible after birth. Aristotle recorded this teaching, and it is often described as one of the bleakest statements in Greek thought. The grim contrast between the cheerful, drunken Silenus and the despair of his message is part of why the line has endured.

How was Silenus captured by King Midas?

In one version, King Midas captured Silenus by lacing a spring where the old satyr often drank with wine, so that Silenus fell asleep and could be bound and carried to the palace. In another version, Silenus wandered away drunk and lost from Dionysus’s procession and was found and brought to Midas, who hosted him for several days. Both versions end with Midas gaining access to Silenus’s knowledge.

What does Silenus look like?

Silenus is depicted as a fat, bald old man with a snub nose, shaggy white hair, and a large round belly like a wine-skin. He has the pointed ears and tail of an ass, marking him as a satyr. Silenus is almost always shown drunk, either riding a donkey or being held upright by younger satyrs.

What powers does Silenus have?

Silenus possesses prophetic wisdom and hidden knowledge, able to reveal the past and future of anyone before him and to recount the origins of the world. His prophetic sight is strongest when he is deeply drunk. He will only share this knowledge, however, when he is captured and physically restrained.

Related Entries

Dionysus, Sileni, Satyr, Satyrus, Maenad, Pan, Midas, Priapus, Nymph, Ariadne, Centaur, Chiron, Faun, Faunus