Nav

Nav

Also Known As: also Nawia, Navь, Navje; plural navi, navьje; Ukrainian navka, mavka, nyavka
Region/Culture: Central and Eastern Europe (pan-Slavic)
Mythos: Slavic Mythology, Ukrainian Mythology
Primary Type/Nature: Undead/Cursed Beings
Mythical Attributes: The restless dead of Slavic belief, souls of those who died badly who travel as flocks of birds or cold mist and carry sickness, and also the name of the underworld itself, over which the god Veles holds custody.
Role in Mythos: Nav is at once the Slavic land of the dead and a general name for its hostile inhabitants, the unquiet souls of the drowned, murdered, unbaptized, and prematurely dead.
Relation to Humans: The navi were feared and warded against rather than honored, blamed for plague, sudden cold, and unexplained death. Certain days of the year were set aside to feed and appease them so that the dead would leave the living in peace.

A cold that has no weather behind it moves through a village at night. The dogs will not settle. Somewhere overhead there is a sound like a flock of birds wheeling in the dark, though no birds fly at that hour, and by morning a child who was well the day before has taken sick. The Slavs had a name for what passed over in the night. They called it nav, and the word meant the dead.

Nav is one of the oldest words in the Slavic imagination and one of the plainest. It comes from the Proto-Slavic navь, a corpse, a dead thing, and it keeps company with grim relatives across the old languages: the Latvian nāve and the Lithuanian nõvis, both meaning death, and the Gothic naus, a dead body. Wherever the Slavs settled the word settled with them, changing its spelling but not its sense. Poles wrote nawia, Russians навь, and Ukrainians turned it into navka and mavka. Under all of it lay the same idea, that the dead do not always stay dead, and do not always wish the living well.

The word carried two meanings at once, and both mattered. Nav was a place, the Slavic underworld, the country a soul went to when the body was finished with it. It lay somewhere past a living sea or a great river, or else deep beneath the ground, and the god Veles held it in his keeping. The old descriptions picture him at the center of it, seated on a golden throne at the foot of the world tree with a sword across his knees, while the dead spread out around him over a wide green pasture and a dragon, a zmey, coiled at the gate. For the ordinary dead this was not a place of torment but a kind of grazing land beyond the water, a darker echo of the bright paradise the Slavs called Vyraj.

But nav was also the dead themselves, and here the word narrowed and turned sharp. Not everyone who died became a nav in this second sense. The navi were the ones who died wrong. The drowned, the murdered, those who took their own lives, the women lost in childbirth, the infants who died before baptism, the sorcerers and the violent: these were the souls that could not settle. Russian ethnographers later gave them a term of their own, the zalozhnye pokojniki, the unclean or pledged dead, a category the folklorist Dmitry Zelenin assembled in the early twentieth century out of centuries of village belief. The Polish scholar Stanisław Urbańczyk described the nav in the same spirit, as a general name for the demons that grew out of tragic and untimely death. They were jealous of the living, and they showed it.

What they looked like is a harder question than it sounds, because a nav was less a body than a presence. Often they were not seen at all, only felt, as a draught of cold in a warm room or an illness that arrived from nowhere. When they took a shape it was seldom a human one. They flew in flocks like birds, or ran along the ground as mist, and their coming was known by the chill and the sickness that came with them. The female nav, the mavka or navka of Ukrainian and Carpathian belief, kept a little more of the girl she had been: long unbound hair, a pale lovely face, a voice made for luring men off a path. Turn her around, though, and there was nothing there. Her back was open, so that you could see straight through to her heart and her insides, a body finished only on the side that faced you.

The oldest written glimpse of the nav is also the most frightening, and it is not a fairy tale but a line in a chronicle. In the year 1092, according to the Tale of Bygone Years, a horror came over the town of Polotsk. At night there was a clatter of hooves through the streets, and riders no one could see cut down anyone caught outdoors after dark. People shut themselves inside and were struck all the same, and in the morning the ground held the prints of hooves. The monk who recorded it wrote that the navi were beating the people of Polotsk, and a plague came close behind. It is a bare, terrible passage, and it fixes the nav for good as the dead turned hostile, riding through a stricken town at night and leaving marks on the living.

Because the nav could not simply be fought, the living learned to manage them. Certain days in the year belonged to the dead, when the wall between nav and the world thinned and the departed were expected to return. On those days food was set out and left untouched, graves were visited, and small rites were kept to send the dead back satisfied rather than angry. The mavki were folded into the spring festivals of the water spirits, the Green Week when the rusalki walked, when people hung offerings in the branches and left certain kinds of work undone so as not to draw the notice of the drowned girls. It was practical religion. The dead were a hazard, like weather or wolves, and the calendar was built in part to steer around them.

One thing often said about nav today needs a warning label. In modern books and on modern websites, nav is frequently presented as one leg of a tidy cosmic triad, Prav, Yav and Nav, the realms of divine law, of the living world, and of the dead. It is an elegant scheme and an appealing one, but it is not ancient. It comes from the Book of Veles, a supposed pre-Christian Slavic scripture that surfaced in the twentieth century and was assembled, in all likelihood, by the amateur enthusiast Yuri Mirolyubov around the 1950s. Scholars agree the book is a forgery, wrong in its language and its history, and the Prav-Yav-Nav cosmology rides in with it. The word nav is genuinely old. The three-realm system built on it is not, and belongs to the modern Slavic pagan revival rather than to the beliefs of the early Slavs.

The power of the nav was the power of grievance. They brought sickness and sudden death, the fever that came from nowhere and the plague that emptied a street, and they carried cold with them the way a storm carries rain. They could not be reasoned with, only fed and avoided. Their weaknesses were the mirror of their making. A nav was created by a death gone wrong, so the remedy lay in doing death right: proper burial, the correct rites, a name and a baptism for the child who had died without one, so that the soul went off to the green pasture instead of lingering at the window. Fire, iron, and the threshold of the church kept them at bay, and the fixed days of remembrance bought the living a year of quiet at a time. You cannot kill what is already dead. A being born of a broken ending could only be settled, in the end, by mending the ending.

Frequently Asked Questions

What is Nav in Slavic mythology?

Nav is a Slavic term with two linked meanings: it is the name of the underworld or land of the dead, and it is also a general name for the restless spirits of the dead who inhabit it. As a realm, Nav is the otherworld held in the keeping of the god Veles. As beings, the navi are the hostile souls of people who died badly.

Who becomes a nav?

The navi are specifically the “unclean dead,” the souls of those who died an unnatural or premature death. This includes the drowned, the murdered, suicides, women who died in childbirth, unbaptized infants, and sorcerers. Russian ethnographers grouped these restless souls under the term zalozhnye pokojniki, and unlike ordinary ancestors they were feared rather than honored.

What is a mavka?

A mavka, also called navka or nyavka, is the female form of the nav in Ukrainian and Carpathian folklore, usually the soul of a girl or an unbaptized child who died young. She appears as a beautiful pale young woman with long loose hair, but her back is hollow and open, exposing her insides. Mavki were associated with the water spirits and with the spring festival of the Green Week.

Is the Prav-Yav-Nav triad ancient?

No. While the word nav is genuinely ancient, the cosmic system of three realms called Prav, Yav, and Nav is not part of authentic early Slavic belief. It derives from the Book of Veles, a twentieth-century forgery generally attributed to Yuri Mirolyubov, and is used today mainly in modern Slavic Native Faith (Rodnovery) rather than in the historical record.

What is the oldest source that mentions the navi?

The oldest written reference appears in the Primary Chronicle, the Tale of Bygone Years, under the year 1092. It describes a terror at Polotsk in which unseen riders struck people down at night, leaving hoofprints in the streets, followed by a plague; the chronicler says the navi were beating the townspeople. This makes the passage a rare early record of the dead as active, hostile forces.

Related Entries

Veles, Rusalka, Marzanna, Vodyanoy, Drekavac, Koschei, Baba Yaga, Domovoi, Kikimora, Likho, Hades, Mictlan, Draugr