
Cyclops (plural Cyclopes)
Region/Culture: Southern Europe (Greek)
Mythos: Greek Mythology
Primary Type/Nature: Monsters and Beasts
Mythical Attributes: A one-eyed giant of immense strength, in one tradition a master smith who forges the weapons of the gods and in another a savage pastoral cannibal.
Role in Mythos: The elder Cyclopes arm the Olympians for their rise to power, while their Homeric kin become the obstacle that turns Odysseus’s homecoming into a decade of wandering.
Relation to Humans: The smith-Cyclopes have little to do with mortals and labor instead for the gods. Their island cousins regard human visitors as food, and a single encounter can doom a crew and curse an entire voyage home.
The hammer comes down and the whole mountain answers. Deep in the fire-lit dark beneath an island volcano, three enormous figures bend over an anvil, and the thing taking shape under their tools is not a sword or a shield but a fistful of captured lightning. Each of them watches the work with a single eye, round as a shield boss, burning in the center of a vast forehead. They do not speak much. The hammering says everything.
This is one kind of Cyclops, and it is the older and stranger kind. Long before any sailor washed up on a Cyclops’s beach, Hesiod set the first of them at the beginning of the world. Brontes, Steropes, and Arges, whose names mean Thunder, Lightning, and Bright, were sons of Uranus the sky and Gaia the earth, born among the earliest powers of creation and counted nearly the equals of the Titans. Their father feared what he had made. He forced them back down into their mother, into the deep places of the earth, and left them there in the dark.
They waited a long time. When Zeus rose against Cronus and the Titans and needed weapons that no one had ever wielded, he went down and freed them, and they repaid the debt in the only currency they had. They forged the thunderbolt for Zeus, the trident for Poseidon, the cap of darkness for Hades. The war that followed remade the cosmos, and it was won with tools made by hand in the dark. Greek storytellers never quite forgot that the lords of Olympus owed their rule to a few one-eyed smiths.
Later tradition kept them at the anvil. They became the workmen of Hephaestus, the lame smith-god, hammering out armor and marvels in a forge usually placed under Mount Etna in Sicily, which conveniently explained why the mountain smoked and shook. There was a third kind too, dimmer and more practical, the so-called Belly-Handers, credited by the Greeks with raising the colossal stone walls of Tiryns and Mycenae. The blocks were so huge that later people could not believe human hands had set them, so they handed the work to giants. The word for those ancient fortifications, Cyclopean, still carries the giants’ name.
Then there is the other Cyclops, the one most people mean. Homer took the name and made something cruder and more frightening out of it. On a green, untilled island lived a race of lawless herdsmen, each in his own cave, each keeping his own flocks, owing nothing to gods or neighbors. The most famous of them was Polyphemus, a son of Poseidon, and it was into his cave that Odysseus and twelve of his men wandered, looking for the gifts owed to guests and finding a monster.
The cave smelled of milk and penned animals and damp stone. When its owner came home he rolled a boulder across the mouth, a stone so large that twenty wagons could not have shifted it, and only then noticed the strangers. He asked who they were, listened to talk of hospitality and the gods who protect travelers, and answered by seizing two men, dashing their brains out on the floor, and eating them raw. He did the same at dawn, and again the next night. Odysseus could not simply kill him in his sleep, because no one else could move the stone.
What saved the survivors was not strength. Odysseus gave the giant strong dark wine, the gift of a priest of Apollo, and Polyphemus drank himself stupid and asked the stranger’s name. Nobody, said Odysseus. Then I will eat Nobody last, the giant promised, and slid into sleep. They took a sharpened stake of olive wood, heated the point until it glowed, and drove it into the single eye, leaning on it and turning it the way a shipwright bores a beam. The scream brought the other Cyclopes to his door, but when they called through the rock to ask who was hurting him, he bellowed that Nobody was killing him, and they shrugged and went back to bed. In the morning, blind and groping, he let his sheep out to graze, running his hands over their woolly backs to be sure no man rode out among them. The men were underneath, lashed to the animals’ bellies, and they passed out into the light.
It almost ended cleanly. From the safety of his ship Odysseus could not resist shouting back his true name, and the blind giant hurled hilltops at the sound and then prayed. He was a son of Poseidon, and his father heard. The curse he asked for, that the man reach home late and alone and broken, on a stranger’s ship, became the shape of everything that happened next.
For all their power the Cyclopes are bound by what they are. The smiths can make anything except their own freedom, and they spend most of their existence underground, serving someone else’s will. The herdsmen have one eye and no cunning, and that single eye is the whole of their defense. Take it and the giant is reduced to a blind hand sweeping the air. Even the great smiths were not safe in the end. When Zeus killed Asclepius, the healer who had begun raising the dead, with one of their own thunderbolts, Apollo could not strike at Zeus, so he killed the Cyclopes who had forged the weapon. The makers of the lightning died by the lightning they made.
A gentler story survives alongside the rest. The same Polyphemus, before Odysseus ever found him, sat on a Sicilian headland and sang badly and hopelessly to the sea-nymph Galatea, who wanted nothing to do with him and loved a beautiful young shepherd named Acis instead. The giant caught the two of them together and crushed the boy under a boulder, and the nymph turned her dead lover into a clear cold river. The monster of the cave and the lovesick fool on the cliff are the same creature. Greek myth saw no reason to choose between them.
Frequently Asked Questions
What is a Cyclops?
A Cyclops is a one-eyed giant of Greek mythology, recognizable by a single round eye set in the center of its forehead. The myths describe more than one kind: an elder race of divine smiths who forged the gods’ weapons, and a savage race of lawless, cave-dwelling herdsmen best known from Homer’s Odyssey.
Who was the most famous Cyclops?
Polyphemus is the most famous Cyclops, a man-eating son of the sea-god Poseidon. He trapped Odysseus and his crew in his cave and devoured several of the men before Odysseus blinded him and escaped, an act that earned the hero Poseidon’s lasting wrath.
How did Odysseus defeat the Cyclops?
Odysseus defeated Polyphemus with cunning rather than force. He got the giant drunk on strong wine, told him his name was “Nobody,” then drove a fire-hardened olive stake into the Cyclops’s single eye while he slept; when neighboring Cyclopes asked who was attacking him, Polyphemus could only shout that “Nobody” was hurting him, so no help came.
What did the Cyclopes make for the gods?
The elder Cyclopes named Brontes, Steropes, and Arges were master smiths who forged the gods’ signature weapons. They made the thunderbolt for Zeus, the trident for Poseidon, and the cap of invisibility for Hades, arming the Olympians for their war against the Titans.
Are Cyclopes good or evil?
The Cyclopes are neither purely good nor evil; they have a dual nature. The Hesiodic smiths are skilled, loyal craftsmen who serve the gods, while the Homeric herdsmen like Polyphemus are brutal cannibals who scorn the laws of hospitality and the gods.
Related Entries
Polyphemus, Poseidon, Odysseus (Ulysses), Galatea, Acis, Uranus, Gaia, Cronus, Zeus, Hades, Hephaestus, Apollo, Asclepius, Titan, Laestrygonians, Argus Panoptes