Vāmana

Vāmana

Also Known As: Sanskrit vāmana, “dwarf”; also Trivikrama, “he of the three strides”; Vāmanamūrti in Kerala; the fifth avatar of Vishnu
Region/Culture: South Asia
Mythos: Hindu Mythology
Primary Type/Nature: Gods and Deities
Mythical Attributes: He measures the entire universe in three paces, having first made himself small enough that three paces sound like nothing.
Role in Mythos: He is the incarnation Vishnu takes to win the three worlds back from the asura king Bali without raising a weapon, by asking for a gift and then taking delivery.
Relation to Humans: He arrives as a poor brahmin student begging at a rich man’s sacrifice, which puts every host in the position Bali was in. The tradition treats him as the reason a request from a small stranger should never be refused, and in Kerala the king he dispossessed is welcomed home once a year with a feast.

The boy came up the road to the sacrificial ground with an umbrella over his shoulder, a wooden staff, and a water pot full to the brim, and the earth sank a little under every step he took. Nobody worked out why. The priests of the Bhrgu clan were busy with a horse sacrifice on the north bank of the Narmada, the air thick with ghee smoke and the dry crackle of kindling, and when they finally looked up at the small figure at the edge of the enclosure they could not agree on what they were seeing. One said it was the sun. Another said it was Agni. A third guessed the sage Sanatkumara had come to watch. He was none of those. He was a dwarf, and he was a child.

His mother was Aditi and his father Kashyapa, and he had arrived four-armed and dark as storm water, with the conch and mace and lotus and discus, before folding himself down into the shape of a brahmin child while both parents watched. The gods had queued up to dress him. The sun taught him the Gayatri; Brihaspati handed him the sacred thread; Kashyapa tied the munja grass round his waist; the earth gave the black antelope skin, the moon the staff, the sky an umbrella, Brahma the water pot, and Kubera a bowl to beg with. Uma herself served him his first alms. It is an absurd amount of equipment for a boy who is about to ask for almost nothing.

Bali was the man he had come for. Grandson of Prahlada, son of Virochana, an asura who had taken the three worlds off Indra and whose rule Kerala still celebrates once a year. He was in the middle of the sacrifice when the boy walked in, and he did what a host does. He washed the small feet himself, put the water on his own head, and offered gold, villages, horses, elephants, chariots, a furnished house, a bride, whatever the guest wanted.

The guest asked for three paces of land, measured by his own feet.

The feet in question were very small. Bali laughed and told him to think bigger, that a man who approaches the lord of the world should not have to go begging anywhere else afterwards. The boy said something about contentment that reads oddly once you know how the afternoon ends: a person who is not satisfied with three feet of ground will not be satisfied with seven continents either, and the value of wealth stops at the point where it is useful. Then he repeated the request.

Shukra saw it coming. The preceptor of the asuras, a Bhargava and no fool, took his king aside and told him flatly that the child was Vishnu, born of Kashyapa and Aditi for exactly this purpose, and that he would cover the earth with one step and the heaven with another and then ask where the third was to go. Bali heard him out and gave the land anyway. His grandfather had not broken a promise and his father had not, and he was not going to be the one who did. Shukra cursed him on the spot, promising that he would fall from his splendour in no time at all. Bali poured the water from his right palm to seal the gift while his queen Vindhyavali came forward with a gold jar to wash the small feet again, her pearls swinging.

Then the dwarf stopped being a dwarf. He expanded until Bali could see the whole universe standing inside his guest: the subterranean regions at the soles of the feet, mountains at the shanks, birds at the knee joints, the wind gods across the thighs, the seven seas along the sides, the constellations strung over the chest, the sun in one eye and fire in the open mouth. The first stride swallowed the earth, the sky and every direction. The second went up past Maharloka and Janaloka and Tapoloka to the very roof of things, where Brahma came out with a water pot to wash the foot that had arrived at his doorstep, and the water that ran off it fell back through the sky as a river.

There was nowhere left to put the third foot. Garuda bound Bali with the noose of Varuna, and Vamana told him, in the tone of a creditor, that failure to deliver on a promise carried a standard penalty and the penalty was hell. Bali, tied up and stripped of everything he had ever owned, gave the answer that has kept his name alive: put the third step on my head.

The asuras called it fraud, loudly, and nobody in the story argues with them. What the story does instead is refuse to let the fraud be the point. Prahlada arrived and congratulated Vishnu on the robbery. Vindhyavali pointed out that Bali had never owned any of it to give. Brahma asked for his release. And Vishnu said the quiet part outright: I take away the wealth of the person I mean to be kind to, because wealth is what makes a man stop being able to see. Bali was untied and sent to Sutala, a country built by Vishvakarman where nobody suffers anxiety, disease or fatigue, with the promise that Vishnu would stand guard at the door personally and that Bali would be Indra himself in a later age.

The oldest version of this is smaller and much stranger. In the Shatapatha Brahmana the gods have lost a war outright, and the asuras are carving up the earth between themselves with ox-hides laid west to east. The gods come to ask for a share and are given a grudging one: as much ground as this Vishnu of yours lies upon, and no more. Vishnu, the text says without ceremony, was a dwarf. The gods take the deal, lay him down facing east, fence him on three sides with the Gayatri, Trishtubh and Jagati metres, set the fire at his head and work from that patch until the whole earth is theirs again. The patch is why an altar is called a vedi. The story then does something no later telling bothers to keep: the little god gets tired, finds the metres on three sides and the fire on the fourth, and hides among the roots of the plants, and the gods have to dig him out three thumb-breadths down, which is why altars are dug three thumb-breadths deep. Older still, in the Rigveda, there is no dwarf and no Bali at all, only Vishnu taking three strides that measure out earth and air and heaven.

Sculptors have never quite settled which Vamana to carve. Most images skip the boy entirely and show the giant mid-stride, one foot planted on the ground and the other swung up past his own shoulder. Where he is shown small, he is either a genuinely misshapen dwarf or a neat brahmin student in deerskin and loincloth and sacred thread, hair gathered in a student’s tuft, and the sculpture works by making him look harmless.

His power is a single trick performed perfectly. He needs no weapon, no army and no argument, because he has the stride that already measured the cosmos in the Veda and a form small enough that no one thinks to price it. His limit is the flip side of the same trick. He cannot take. He can only be given, which means the whole conquest runs through the free word of a generous enemy, and if Bali had listened to his own priest the god would have gone home with nothing.

In Kerala the story is told with the sympathies reversed. The place where the foot came down is Thrikkakara, near Kochi, from Thrikalkkara, the place of the holy foot, where a temple to Vamanamoorthy stands on ten acres beside a shrine to Shiva with a statue of Mahabali on the grounds. Every year on Thiruvonam in the month of Chingam the king is allowed up out of the underworld to see how his people are getting on. The Cheraman Perumal once summoned fifty-six local kings and sixty-four village chieftains to Thrikkakara for the festival, and when the travelling became too much he ruled that every household should keep Onam at home instead by setting out the deity of Thrikkakara. The celebration collapsed in the twelfth century amid quarrels between kings and was revived when the temple was refurbished in 1921. The god took the three worlds in two steps. The king got a festival that has outlasted several of the kingdoms that kept it.

Frequently Asked Questions

Who is Vamana in Hindu mythology?

Vamana is the fifth avatar of Vishnu, born as a dwarf brahmin boy to Aditi and Kashyapa. He was born specifically to recover the three worlds from the asura king Bali, who had taken them from Indra. His better-known name in that expanded form is Trivikrama, meaning “he of the three strides”.

Why did Vamana ask Bali for only three paces of land?

Because three paces sounded like a trivial gift from a dwarf, and Bali could not refuse a small request without losing face at his own sacrifice. Once the gift was formally sealed with water poured from Bali’s palm, Vamana grew to cosmic size and covered the earth with one step and the heavens with the second. Bali’s own preceptor Shukra had predicted exactly this and was ignored.

What happened to Bali after Vamana took the three worlds?

Bali offered his own head for the third step rather than break his promise, and Vishnu treated that as a victory for Bali rather than a defeat. He was released from Varuna’s noose and sent to rule Sutala, a realm built by Vishvakarman where there is no disease, anxiety or fatigue, with Vishnu himself standing guard and a promise that Bali would become Indra in a future age.

Is the Vamana story older than the Puranas?

Yes, in two earlier and different forms. The Shatapatha Brahmana already has Vishnu as a dwarf, given only as much ground as he can lie upon by the victorious asuras, with no Bali in the story at all. Behind that, the Rigveda has Vishnu taking three strides that measure out earth, air and heaven, with no dwarf involved.

What does Vamana have to do with Onam?

Onam is the Kerala festival that marks Mahabali’s annual visit home from the underworld, permitted to him after Vamana’s third step. The centre of the tradition is the Vamanamoorthy temple at Thrikkakara near Kochi, whose name comes from Thrikalkkara, the place of the holy foot, and the celebration falls on Thiruvonam in the Malayalam month of Chingam.

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Vishnu, Matsya, Kurma, Varaha, Narasimha, Rama, Krishna, Kalki, Aditi, Indra, Hiranyakashipu, Garuda, Varuna, Ganga, Asura, Daitya